כיתות אמן והרצאות עם המלחין Wojciech Widłak במסגרת שבוע הפרויקטים

כיתות אמן והרצאות עם המלחין Wojciech Widłak במסגרת שבוע הפרויקטים
יום שני, 9 מרץ 2015, 12:00 עד יום חמישי, 12 מרץ 2015, 12:00
הוסף ללוח שנה
בניין האקדמיה, קמפוס גבעת רם
בהשתתפות: 

Wojciech Widłak, born in 1971, Cracow, Poland. Composer, teacher (2012 – professor, Academy of Music in Cracow), music critic. Since 2005 – director of Composition Chair, 2012-16 dean of the Faculty of Music Creation, Interpretation and Education at the Academy of Music in Cracow. 1990–1996 he studied composition with Marek Stachowski, 1990-95 organ with Jan Jargoń at the Academy of Music in Kraków. 1998–1999 he studied composition with Hans Abrahamsen at the Royal Danish Academy of Music in Copenhagen. Per Nørgård also gave him consultations.

Participated in several composition courses working with Lidia Zielinska, Franco Donatoni, Robert Saxton, Goce Kolarovski. Awarded in 7 international and all-Polish composition competitions. Author of over 40 pieces, created in 16 European countries, Turkey, the USA, Japan, Azerbaijan... Wojciech Widłak had lectures, seminars and composition courses in the USA, Turkey, Italy, Lithuania, Slovakia.

For last 10 years his composition class has gathered students from several countries. In 2006 his orchestral work Earthsumption (Wziemięwzięcie) has been recommended by the jury of 56thInternational Composers’ Tribune in Paris. Its performance at the National Philharmonic in Warsaw opened the International Festival Warsaw Autumn in 2008.

His works are commissioned by outstanding artists, ensembles and institutions, including Warsaw Autumn‘s Friends and Ernst von Siemens Foundations, recorded on 9 CDs, printed in Poland and in France. In his works composed in late 90s Widłak concentrated rather on technical aspects of artistic workshop. Traditionally sounding, music from that period presents some polyphonic and counterpoint technics, but its important attribute – except a distinct harmony and expressive rhythm – is a repetition. Since 2000 composer changed his musical language, turning into more radical sound and harmony, timbral effects and multilayered structure. The intellectual aspect of composition appears in complexity of constructions, game of musical idioms, integration of motives and intervals.

www.widlak.art.pl
 

בתכנית: 

במסגרת שבוע הפרויקטים יציג המלחין מיצירותיו, יתן המלחין כיתות אמן בקומפוזיציה וירצה על מלחינים פולניים במאה ה-20.

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