A symposium with delegates from the Bach Archive (Leipzig), Carus Verlag (Stuttgart), the Netherlands Bach Society, and Israeli musicologists
10:00 Reception, hosted by the Israeli Musicological Society
Greetings: Prof. Yinam Leef (JAMD), Dr. Alex Rosenblatt (IMS), Nira Zer (Hallel)
10:20 First Session (Chair: Dr. Alon Schab)
10:20 Prof. Eytan Agmon (Bar Ilan University)
Christ and the Antichrist in the Sarabande from the English Suite in G minor
BWV 808
11:00 Dr. Uri Rom (Buchmann-Mehta School of Music, Tel Aviv University)
Bach and the Sequence: From Harmonic Mechanicality to an Individualized Process
11:40 Coffee Break
12:10 Second Session (Chair: TBA)
Dr. Christine Blanken (Bach Archive, Leipzig)
Insights in current Bach research: J. S. Bach’s original sources and aspects of performance practice (Keynote Lecture)
13:30 Lunch Break
14:30 Intermezzo – Students of the JAMD perform Bach
14:50 Third Session (Chair: Dr. Alex Rosenblatt)
14:50 Dr. Uri Golomb (Israeli Broadcasting Corporation)
The Abstract Mathematician, The Fifth Evangelist and the Compleat Musician: Bach Images in the Age of Recordings
3015: Prof. Ruth HaCohen Pinczower (Hebrew University)
A Nietzschenean moment in a Bach’s passion? - Revisiting “Zerfließe mein Herze”, BWV 245 (35)
16:10 Coffee Break, during which the volumes of the new Carus edition of Bach’s vocal music will be presented by Dr. Johannes Graulich
16:45 Fourth Session (Chair: TBA)
16:45 Dr. Johannes Graulich (General Manager, Carus Verlag)
What music publisher can provide supporting conductors performing Bach's music
17:30 Jos van Veldhoven (Nederlandse Bachvereniging)
All of Bach: performance practice and new media
18:15 Short break
18:30 Master Class: Maestro Jos van Veldhoven, with the participation of the JAMD Chamber Choir (Conductor: Stanley Sperber)
Bach Motet BWV 230 Lobet den Herrn alle Heiden
20:00 Finish